Demonstrating an unparalleled resistance to neoliberal thinking and the specter of the end of critique, as well as a formalist regard for the medium-specificity of digital material, Fudge's longstanding refusal to exhibit his digital work positions him in relation to other artists who have considered art as strategy, most notably Marcel Duchamp and his contemporary Huáng Yǒng Pīng (黄永砯), with whom Fudge shares similar ideas about anti-art and the destruction of art.